Mark Aitken‘s practice includes film, photography and writing. Born in New Zealand, raised in South Africa, Mark moved to the UK to study art. His award winning documentaries have been broadcast internationally, with a reputation for striking visual elements and sound design along with complex themes, the most recent of which was produced in a mental asylum run by its own patients. Mark has lectured at Goldsmiths University in London and runs a non-profit that’s produced over forty films. He’s a published author and hosts a radio series on Resonance fm. Mark is currently working on a PhD and upcoming projects. www.thedeepriver.org
Anna Akage is a freelance writer from Kiev, Ukraine. She is a frequent contributor to birdinflight.com and lensculture.com, particularly interested in modern documentary and conflict photography. More of her work can be found on her writing portfolio website akageportfolio.tumblr.com.
Jesse Alexander is an independent photographer, writer and lecturer based in North Somerset. His practice critically engages the genre of landscape and the representation of space. His critical writing has been published widely and he is author of Perspectives on Place: Theory and Practice in Landscape Photography (London: Bloomsbury, 2015) and edits the Perspectives on Place blog. Jesse is currently the BA(Hons) Photography Course Leader at the Open College of the Arts and Visiting Lecturer in Photography at the University of South Wales in Newport.www.jessealexander.co.uk
George Allen is currently studying photography at the University of Salford, Manchester.
Jocelyn Allen graduated from the University of Wales, Newport with a BA in Photographic Art in 2010. Her work often explores identity through self-portraiture, as well as commenting on society through staged images. In 2011 Allen’s work was exhibited at the Guernsey Photography Festival and she represented the UK in the Biennial of Young Artists of Europe and the Mediterranean. She was recently selected for the Magenta Foundation’s ‘Flash Forward – Emerging Photographers 2012′. www.jocelynallen.co.uk
Sarah Allen is a photography specialist. She is Assistant Curator at Tate Modern where she curates photography displays and exhibitions as well as researching acquisitions for the international collection. She has co-curated the major exhibition Shape of Light: 100 Years of Photography and Abstract Art (2018). She has also curated Martin Parr (2018), Mark Ruwedel (2018), Daido Moriyama (2017), Kaveh Golestan (2017) and Gyorgy Kepes (2017) as well as the thematic displays 1968 Protest and the Photobook (2018), Iranian photobooks (2017) and integrated displays featuring Stephen Shore (2017) and Shunk-Kender (2016). She has a specialist focus on photobooks and is curator of the Martin Parr photobook collection. Before taking up her role at Tate she worked in several museums and galleries including The Photographers’ Gallery, London, The Hugh Lane, Dublin and The Solomon R. Guggenheim, New York.
Anderson & Low Jonathan Anderson and Edwin Low have been collaborating as “Anderson & Low” since 1990. Their work includes portraiture, architectural studies, abstract images, reportage, nudes, and landscape and is noted for attention to concept, form, lighting, and printing. Their work is exhibited world-wide, residing in many public and private collections including: The Metropolitan Museum of Art, New York, Victoria & Albert Museum, London, National Portrait Galleries of both the UK and Australia, Museum of Fine Art, Houston, High Museum of Art, Baltimore Art Museum, Atlanta, National Gallery of Australia, Akron Museum, The National Gallery of Australia, the US Olympic Center, the Southeast Photography Museum, Florida, and Museet Fotokunst, Denmark. www.andersonandlow.com
ArtTactic, founded in 2001 by Anders Petterson, has developed methodologies and analytical frameworks for the art market often used by economists and people in the financial markets. ArtTactic provides a new dimension to art market analysis by combining both qualitative and quantitative research tools with an in-depth knowledge of how the art market works. www.arttactic.com
Oliver Robert Atwell is senior features writer at Amateur Photographer Magazine.
Magali Avezou is a curator based in London. She is the founder of a r c h i p e l a g o, a platform for artistic and curatorial projects. Murmur, an exhibition on abstraction in photography she has curated for Flowers Gallery is on show until the 3rd of September 2016. In 2015, she initiated an on-going research project on artists books titled “burning with pleasure” which is presented in exhibitions’ context and fairs. Magali Avezou studied photography at Central Saint Martins and London College of Communication. www.archipelagoprojects.com
Elisa Badii began her adventure in the art world at the Musée d’Orsay in Paris as Assistant to the Director of the Photography Archive. She then pursued her interest in publishing in Germany where she became Manager of the Photo-book programme at Steidl Publishers. Elisa was Artist Liaison & Gallery Manager at Camilla Grimaldi gallery in London. Elisa wrote for Le Journal de la Photographie, This is Tomorrow, Conveyor Magazine, Musée Magazine, and NRW-Forum Dusseldorf. She is now a freelance writer based in London.
Patricia Baker-Cassidy founded Art Jericho Gallery in Oxford, following long years of teaching, and even longer years of studying, with particular focus on Critical Theory.
Sheyi Bankale is the Curator of Next Level Projects and Editor of Next Level magazine. He frequently acts as panelist, judge and nominator for The Art Foundation, Google Photography Prize, CONTACT Photography Festival BMW Prize, The Prix Pictet, and Next Level Awards. He is a leading expert on photography at major international portfolio reviews such as Houston Fotofest, and Les Rencontres D’Arles, and facilitates the acquisition of photo artworks with international museums, art collectors, and private clients. He is Visiting Professor of Photography at the University of Derby and has lectured on ‘Photography as Contemporary Art’ at Sotheby’s Institute of Art, University of Westminster, City University – London, and the University for the Creative Arts and Centre of Contemporary Art – Lagos. Curating experience includes the extensive touring exhibition on contemporary photography, ‘Alice in Wonderland’, for the European City of Culture 2011, which is the largest exhibition of contemporary photographic art displayed in Finland. www.nextleveluk.com
Jonny Bark is a fine art photographer and writer with a BA Hons Degree in Photography. Projects include the ongoing ‘Exploring Edgelands’, ‘Otherwise Separated’ and ‘Inverted Facebook’ all involving analogue photography and artist-led, curated exhibitions.
Martin Barnes is Senior Curator, Photographs at the Victoria and Albert Museum, London.
Katy Barron is a photography curator and Senior Director at Michael Hoppen Gallery in London. She also writes on photography and acts as a mentor for a number of contemporary artists.
Emma Baxter is Senior Creative and Marketing Director at Tellyjuice, a London based video production company and creative studio who specialise in short form video, motion graphics, design and animation.
Felix Bazalgette is a writer and filmmaker from London. His writing has appeared in the Economist, 1843 Magazine and 3:AM Magazine, among others. His films have been featured on Nowness and screened in London, Lagos and Freetown. www.ztlifebaaeegltx.
Ariane Belisle is a London-based art advisor and freelance writer. Since graduating from the Courtauld Institute of Art (MA Curating the Art Museum), she has managed two major private art collections on an international scale. She has written critical reviews and featured articles for publications including Espace Magazine, ARTUNER, This Is Tomorrow: Contemporary Art Magazine and Courtauld Reviews, as well as catalogue essays for Sotheby’s London, the Courtauld Gallery and the Victoria and Albert Museum. www.arianebelisle.com
Peter Bennett lives and works in London, holds a Masters in Photography from the University of Brighton in 2010 and is currently completing an MPhil, also at Brighton. Recent exhibitions include UKX10, Avenue L Gallery, Seoul (2010), Transience, Galerie Huit, Les Rencontres d’Arles Photography Festival, Arles (2011), Mnemosyne, Menier Gallery, London (2011), Voyage: Sea Journeys, Island Hopping & Trans-oceanic Concepts, Das Kuenstlerhaus Dortmund, Germany (2013) and Fifth International Artist Book Exhibition, King St. Stephen Museum, Székesfehérvár, Hungary (2013). www.peter-bennett.com
Grace Benton is a freelance photo editor, writer and researcher. She has worked previously at The Times and The New York Times and blogs at www.gracebenton.com/
Daniel Blaufuks works mainly in photography and video, presenting his work through books, installations and films. Recent exhibitions include: Calouste Gulbenkian Foundation, Lisbon; Palazzo delle Papesse, Siena; LisboaPhoto, Centro Cultural de Belém, Lisbon; Elga Wimmer Gallery, New York; Museu do Chiado, Lisbon; Photoespaña, Madrid; Museum of Modern Art, Rio de Janeiro; and Ffotogallery, Cardiff. Blaufuks published Terezín at Steidl, Göttingen in 2010. www.danielblaufuks.com
María Bleda and José María Rosa together form one of the most renowned partnerships in Spanish contemporary photography. Through their series ‘Campos de fútbol’, ‘Campos de batalla’, ‘Ciudades’, ‘Origen’ and ‘Battlefields’, Bleda y Rosa have constructed works that record the latent history inhabiting spaces, a past they explore by activating our imagination and memory. Following recent solo exhibitions in galleries in Oporto, Madrid, Sevilla, and Salamanca as well as participation in numerous group shows in Spain, Egypt, Chile and London, Bleda y Rosa’s work will next be exhibited at ‘Le Printemps de Septembre à Toulouse’ in Autumn 2012. María Bleda and José María Rosa live and work in London. bledayrosa.com
Rut Blees Luxemburg is a London based artist whose photographic works explore the public spaces of the city. She creates immersive and vertiginous compositions that challenge established urban perceptions and bring to light the overlooked, the dismissed and the unforeseen. Her work has been gathered in the monograph Commonsensual, which presents her collaborative forays into opera, Liebeslied/My Suicides, and documents her public art installations Caliban Towers and Piccadilly’s Peccadilloes. Her current work London Dust considers the momentous transformation of the architectural territories of London and the role photography has in this. Rut Blees Luxemburg is a reader in urban aesthetics at the Royal College of Art, London. www.rutbleesluxemburg.com
Marco Bohr is a photographer and Lecturer in Visual Communication at Loughborough University. His blog on photography theory and visual culture can be found at visualcultureblog.com
Jessie Bond is a writer based in London. She is currently researching contemporary artists’ responses to conflict, focusing specifically on photography and the photobook. She has contributed to various publications including Calvert Journal, Paper Journal, Splash & Grab and Art Licks magazine and currently works part-time as web editor and writer for the Royal College of Art. www.jessiebond.co.uk
Sharon Boothroyd is a photographic artist based in London. Having exhibited internationally and received prestigious awards in Europe, Canada and America, Boothroyd continues her photographic practice while also serving as founding editor of Photoparley, an online venture engaging with photography in interview form, and working as a photography tutor at Open College of the Arts. sharonboothroyd.com
Simon Bowcock writes about photographs internationally, for general media such as The Guardian as well as more specialized titles such as Harper’s Bazaar Art and Eikon. His own photographs have appeared in many publications including The Guardian and Time Out. Writing: https://simonbowcock.contently.com/ Photographs: www.simonbowcock.com @
Tim Bowditch (b.1986 Guernsey, Channel Islands, BA Photography Portsmouth University) is a photographer and filmmaker living and working in London. His practice stems from documentary roots and observations of the communities and environments he inhabits. These observations are further explored, exaggerated, abstracted and fictionalised through collaborations with writers, artists and sound recordists. This work has culminated over the years in the form of ambitious three-year community based projects, outdoor poolside screenings, installations, publications and exhibitions. timbowditch.com
Paul Boyling graduated from the University of East London with a BA (Combined Hons.) in Illustration and Photography in 2014 . He currently works full-time as an assistant to a professional photographer in East London.
Susan Bright is a photography curator and writer living in New York. Author of Art Photography Now, Auto Focus, Face of Fashion and How We Are: Photographing Britain, the exhibition she co-curated with Val Williams, Bright recently translated her interest in the visual representation of motherhood in contemporary photography into two concurrent exhibitions at The Photographers’ Gallery and The Foundling Museum in London, as well as a related publication Home Truths: Photography and Motherhood, soon to be published by Art/Books. http://susanbright.net
Camilla Brown is a curator, writer and lecturer on contemporary art, specialising in photography. She is now Senior Lecturer in Creative Industries at Middlesex University, alongside giving talks at museums and galleries and papers at conferences. For ten years she was Senior Curator at The Photographers’ Gallery, London, previous to which she was Exhibitions Curator at Tate Liverpool. Examples of her work appear on her website at www.camillaebrown.co.uk.
Tessa Bunney works as a documentary photographer undertaking personal projects as well as a wide range of commissions and residencies nationally and internationally. As a photographer, she has a particular interest in different landscapes and the way they are shaped by human activity. Working closely with communities and individuals, her work explores people’s relationship to the environment. Previous projects include Home Work (Dewi Lewis, 2010), Hand to Mouth (exhibited and published by Impressions Gallery, Bradford, 2007) and Moor and Dale, Lamb and Eat Better, Eat British which explore the lives of farmers and small food producers in Yorkshire (UK) where she has been living for the past 15 years. Bunney’s recent series Järvenjää/Lakeice, the January portfolio on Photomonitor, will be on show at Photofusion in Autumn 2013. www.tessabunney.co.uk
Emily Burns is an art historian and writer based in London. A graduate of Cambridge and University College London, she worked at the Lisson Gallery, the Peggy Guggenheim Collection and the V&A before taking up her current role as Curatorial Assistant at the National Portrait Gallery. She is a frequent contributor to This is Tomorrow magazine and winner of the BREESE LITTLE Prize for Art Criticism (Volume VII).
Lewis Bush is a photographer and writer based in London. His photographic projects examine disparate subjects, from civil liberties to national memory, typically using them as a way to ask questions about photography itself. He maintains Disphotic a blog on photography, history, art and journalism as well as writing for a number of other print and online publications. www.lewisbush.com
Lauren Cain, from Cheshire, is studying for a Ba(Hons) Photography, at the University of Salford, Manchester.
Emma Campbell is an artist and an activist, she is also a PhD Candidate at the Ulster University, where she is completing her practice-based thesis on adapting historical UK feminist documentary photography for contemporary, embedded representation of abortion seekers. www.emmacampbell.co.uk Emma also makes work relating to abortion stigma as part of the X-ile project http://www.x-ileproject.com/ and collaborates in works on bodily integrity as part of the home|work collective; www.homeworkartcollective.tumblr.com Emma has had work published in ‘Female Lines: New Writing by Women from Northern Ireland’, Mind the Gap!: Working Papers on Practice Based Doctoral Research in the Creative Arts and Media 2016’, the Guardian, Source Photography Magazine and the Huffington Post. Emma has shown her photography work in Bangkok, Belfast, Berlin, Dublin, Donegal, London, Prince Edward Island and Stockholm.
Daniel Campbell Blight is a writer, curator and academic based in London with a specific interest in the history and theory of photography and sound in the arts. He currently works on the talks programme at The Photographers’ Gallery. danielcampbellblight.com
Darren Campion is a writer on photography, with occasional digressions into contemporary art and related topics. Since 2009 he has maintained The Incoherent Light, which is a blog dedicated to exploring various perspectives on photography. He is a frequent contributor to several publications (digital or otherwise), most notably Super Massive Black Hole, Of the Afternoon and Paper Journal, where he has a regular series of features.
Paul Carey-Kent is a freelance art writer and the former Editor at Large of Art World magazine. His recent writings include catalogues for several galleries and articles for The Art Newspaper, ARTnews and STATE. You can see his reviews of ten shows in London each month, at paulsartworld.blogspot.com.
Amelia Carruthers is a Bristol based writer and editor, interested in the arts, history and philosophy. She is passionate about art, literature and creative endeavours – activities which she believes should be accessible to as many people as possible. After completing an MA in Art History, History and Philosophy at the University of St. Andrews, Amelia moved to Bristol, where she achieved an M.Phil in Modern History. She currently works as a writer and editor for an independent publishing company, as well as blogging for the Huffington Post. For more information, please see: www.ameliacarruthers.com
Giola Cassar’s work involves explorations into the themes of identity and memory, continually questioning who we are to ourselves and to others, using both the human figure as wel l as the object, as a representation of these concerns. Photography is her main medium, while also making use of the moving image when the need arises. Cassar strives to re-create the mundane, the norm and the obvious, in a way that will ask the viewer to reflect upon his/her own experience and environments. She is currently following her MA in Photography at the University of Brighton in the UK. Throughout the past three years, she has exhibited in Malta, London, Brussels and China and will be exhibiting in Brighton and London later this year.
Persilia Caton is an arts administrator, independent curator and writer. She studied photography at the Nova Scotia College of Art and Design in Canada and worked for the past five years for the CONTACT Toronto Photography Festival. Caton is currently based in London and studying on the MFA Curating program at Goldsmiths, University of London.
Liz Chandler is a Manchester based student studying on the BA (Hons) Photography degree course at the University of Salford.
Federica Chiocchetti is a curator, writer and founder of the photo-literary platform the Photocaptionist. With an MA in comparative literature from the University College of London, Chiocchetti is currently working on a PhD in photography and fictions at the University of Westminster, London. Her recent projects include Amore e Piombo [Love and Lead]: The Photography of Extremes in 1970s Italy, exhibition and book co-curated and co-edited with Roger Hargreaves, for the Archive of Modern Conflict and the Brighton Photo Biennial 2014; H. said he loved us by Tommaso Tanini, exhibition curated in collaboration with Discipula at the Kunsthalle Budapest for the Hungarian Month of Photography 2014; and the forthcoming online feature Amateur Unconcern: A Photo-Literary Fantasia for FORMAT15. She has written for Photoworks, Objektiv, 1000 Words, The Photographers’ Gallery Blog, The BJP, Café-Crème and Hotshoe. In 2015 she joined the Victoria & Albert Museum as assistant curator of photographs for a year, working on the V&A display Facing History, about contemporary portraiture, and on an exhibition of Peter Henry Emerson at Nottingham Castle. She is also curating for the Photocaptionist the endframe column of The British Journal of Photography. www.photocaptionist.com
Gayle Chong Kwan is a London-based artist whose large-scale photographic works, installations, sound works and videos have been exhibited internationally including the New Forest Pavilion, 54th Venice Biennale, 2011; Taiwan International Video Art Exhibition, Taipei, Taiwan, 2010; 10th Havana Biennial, Cuba, 2009. www.gaylechongkwan.com
Iain Clark is a practicing photographic artist whose work is in the permanent collection of The Scottish National Portrait Gallery, The National Portrait Gallery and in numerous private collections in the United Kingdom, Europe, the United States, and India. www.iainclark.net
Leela Clarke is a Bristol-based curator and co-founder of the artist/curator-led group Hand in Glove. She also works as Marketing & Development Officer for Ffotogallery, the national development agency for photography and lens-based media in Wales. http://leelaclarke.co.uk http://handinglove.org.uk
Stephen Clarke is an artist, writer and lecturer based in the North West of England. He studied at Newport College of Art, South Wales (BA Fine Art, 1986) and Winchester School of Art, University of Southampton (MA Contemporary Art and Theory, 1996, and MA Fine Art Printmaking, 2004). His writing and practice encompass collage and photography.
Felicity Cole is an art consultant and specialist art lawyer. She is currently completing an MA in Photography at Sotheby’s Institute of Art.
Simon Constantine is a Consultant Lecturer at Sotheby’s Institute of Art and a Teaching Fellow at University College London. He received his PhD in 2015 from the University of Leeds and has worked as an editor for the journal parallax. His work addresses recent documentary photography, with a particular focus on large-scale projects and photobooks which seek to map, criticize or conceptualize the contemporary global economy.
Justin Coombes is an artist and lecturer. www.justincoombes.com
Laurence Cornet has worked for the past twelve years as a photo critic, a curator and a writer. Her writing collaborations include magazines such as MSNBC (US), Vogue (US), Vice (US/FR), Huck (UK), L’OEil de la Photographie (FR/US), The Guardian (UK), Harper’s Bazaar Art Arabia (UAE), Prussian Blue (FR), Nafas (DE), and various book projects and publishing houses worldwide (Actes Sud, RecCollective). She also co-founded DogFood, a zine about photography, in 2013, and is the editor in chief of the journal #Dysturb.
Malcolm Cossons is former editor at Sotheby’s and has contributed to a range of publications including the Financial Times, 1st Dibs, Christie’s, Monocle and others. He is editor of Collecting Contemporary Photography (Thames and Hudson) and Collect Contemporary Jewelry and author of a children’s book entitled Dot to Dot.
Lisa Creagh graduated from Goldsmiths in 1994, and more recently, with a Masters in Photography from Brighton University. Her work centres around dialogues between the mediums of photography, digital imaging and painting. Her work has often been collaborative in nature: in 2006 she received critical acclaim for the originality of ‘Tidy Street’ where she transformed a street in Brighton in to a series of lightboxes utilizing the windows of small terraced houses and more recently she has collaborated with a sociologist on a website dedicated to discussions around motherhood, The Parlour. Prior to her MA she was awarded two Arts Council, England Individual Artists Awards for exhibitions, reviewed in photographic journals and featured on television and radio. ‘The Instant Garden’, begun in 2008 was awarded a development grant by The Arts Council of England in 2010 and has been exhibited widely. It is featured in a new book by Phaidon on the subject of art and botany. Her new work, ‘Holding Time’ was funded by The Arts Council in 2017/18 and will be presented at Fabrica, Brighton 15-21 January 2018.
Joanna L. Cresswell is an arts writer and editor specialising in photography and culture and based in London. She has written for a number of publications and organisations including Aperture, American Suburb X, The British Journal of Photography, Paper Journal, The Photographers’ Gallery and more. She has contributed essays to a number of books and journals, most recently New Scandinavian Photography (Blackdog, 2015), and edited publications including Self Publish, Be Happy: A DIY Photobook Manual and Manifesto. Previously Managing Editor at Self Publish, Be Happy, Joanna is currently Editor at Unseen Amsterdam’s Unseen Magazine.
Mark Curran lives and works in Berlin and Dublin. He completed a practice-led PhD at Dublin Institute of Technology, lectures on the BA (Hons) Photography program, Institute of Art, Design and Technology, Dublin and is Visiting Professor on the MA in Visual and Media Anthropology, Freie Universität Berlin. Curran has undertaken a cycle of long-term research projects over the past 15 years which critically address the predatory context resulting from the migrations and flows of global capital. Curran has presented widely on his research most recently at The Photographers Gallery, London (2012) and Irish Museum of Modern Art, Dublin (2013). He has also published articles on his research and is included in a forthcoming edition entitled Photographies (Routledge) edited by Liz Wells and Deborah Bright. www.markcurran.org
Martin Davey is a documentary photographer who sees the the outside world as the platform for his creative vision. Davey graduated from the University of Creative Arts Rochester with an honours degree in photography in 2012. martindavey.crevado.com
Lottie Davies is an award-winning artist and photographer based in London and the South-East. She has been practicing since 2000 and is known for her staged narrative photographic work. She also contributes to Photoworks and Professional Photography magazine. www.lottiedavies.com
Alexander de Cuveland lives and works in Hamburg (DE).
Gareth Dent is the Chief Executive of the Open College of the Arts where he leads on the development of photography programmes. He is particularly interested in how students can develop their practice through broadening their engagement with contemporary photography and the debates which surround it. www.oca-uk.com
Liam Devlin is a writer and visiting lecturer at Goldsmiths University of London and within the University of Wales, Newport. His research explores the use of documentary imagery in relation to art practices that explicitly operate in social and political realms and is interested in how antagonistic socially engaged art practices are a vital force in democratic society. He is currently completing a PhD at the University of Wales Newport, entitled Creating Kurdistan: The role of photography as discursive documents. The thesis uses Susan Meiselas’ ongoing project on Kurdistan as a case study to frame the discussion between politics, aesthetics and the documentary image. Photography Research Network http://ph-research.co.uk/
Caroline Douglas is a photographic artist based between London and Edinburgh. In October 2017, she began her TECHNE funded PhD at the Royal College of Art, researching the role of women in early Scottish photography. She studied Photography at Edinburgh College of Art, receiving a First Class Honours (2006) before then completing a Master in Fine Art at The Glasgow School of Art, graduating in 2010 with Distinction. Her residencies include; Re:Create Stills Gallery, Edinburgh (2008), Photography MA, School of the Art Institute Chicago (2009), AiR Fondazione Fotografia, Modena, Italy (2010) and Proekt Fabrika, Moscow (2011). In 2017, she was a Visiting Scholar at the University of St Andrews. Caroline was the recipient of the 9th Helen Keller International Award for her work Playboy Entertainment for Men(2011). She worked with the Scottish National Portrait Gallery for An Attendant’s Portrait. In 2015, she was represented by Stills Gallery at Edinburgh Art Fair and published in Uncertain States for her work Zero Hours Creativity. This work was recognised with a Magenta Foundation Flash Forward Award in 2016. Selected exhibitions include; Galerie Huit, Rencontres d’Arles International Photography Festival (2011, 2012), Stills Gallery, Edinburgh (2012), Columbia University, New York (2012), Brighton Photo Fringe (2014, 2016), Format Festival (2015), PHOTOUKINDIA (2015), The Magenta Foundation Flash Forward Award (2016).Caroline is also a tutor and visiting lecturer in Photography (Edinburgh College of Art and Edinburgh Napier University and Stills Centre for Photography). carolinedouglasphotography.co.uk
David Drake is a writer, curator and publisher, and Director of Ffotogallery, the national development agency for photography and lens-based media in Wales www.ffotogallery.org . He is currently establishing the first Cardiff International Festival of Photography, taking place in May 2013, and EuroVisuality, a new network of independent photography organisations in Europe which will support artist exchange programmes and collaborative exhibition and publishing projects.
Rory Duckhouse is an artist and writer based in South Wales. Using found images, his work looks at how the photographic image shifts and mutates when dislocated from its original context. Rory graduated with an MA in Photography: Contemporary Dialogues from Swansea Metropolitan University, and has worked for arts organisations including Ffotogallery, the diffusion Festival of Photography and Volcano Theatre Company. He currently works as editor of European Prospects and as the exhibitions assistant for the Glynn Vivian Art Gallery, Swansea. http://roryduckhouse.wordpress.com/
Eva Eicker is Curator for The Deutsche Börse Photography Prize at The Photographers’ Gallery and has held previous positions at C/O Berlin, Magnum Photos London, The Photographers’ Gallery, Haus der Kunst, Munich, Hauser & Wirth London, and The Museum of Modern Art, New York City. Since her Postgraduate studies in Cultural Anthropology (2006) at Ludwig-Maximilan University Munich and her Master of Art in Urban Culture Photography (2009) at Goldsmiths College, she has focussed on social and cultural issues for critical engagement with contemporary photography.
Philomena Epps is an independent writer and art critic based in London. Her writing has been published by Apollo Magazine, Art Agenda, Art Asia Pacific, Art Forum, Art in America, Elephant, Frieze, MAP, The White Review, and more. She is also the founding editor and publisher of Orlando. www.philomenaepps.co.uk
Nicolas Epstein is the executive editor of the online gallery ARTUNER where he oversees the content on the platform and works with curators and artists to help display artworks. He holds an MA in Art History from UCL and has worked for Mitchell-Innes & Nash, the Peggy Guggenheim Collection and Christie’s.www.artuner.com
David Evans teaches the history and theory of photography at The Arts University College at Bournemouth. He recently edited Critical Dictionary (Black Dog, 2011), Appropriation (The Whitechapel Gallery and MIT Press, 2009) and László Moholy-Nagy: 60 Fotos (Errata Editions, 2010). He is currently working on The Art of Walking: a field guide (Black Dog Publishing, forthcoming).
Roy Exley is a freelance art critic, curator and practising artist, based in London. He has written for many art and photography magazines, including Art Monthly, Art Press(France), Art Review, Camera Austria, Contemporary, Creative Camera, Parachute, Photoworks, Portfolio, Source, and Zingmagazine. He is currently curating an exhibition of contemporary photography at Charlie Smith London, titled ‘Objectified’, which will open on January 12th 2012. www.royexley.co.uk
Anna Falcini is a researcher and multi media artist working across film, photography, drawing, text and sound with interests in language and post-industrial landscapes. As an artist she has worked periodically with the Thames and Medway estuaries in North Kent, a Victorian railway tunnel in Herefordshire and most recently with B&Bs in Mid Wales. She is commencing a residency at the New Art Gallery, Walsall in June 2013 where she will be exploring the context of language in the gallery. Anna has written for a variety of organizations, worked in academia, organised symposia and is looking forward to developing her research profile. http://estuarydialogue.wordpress.com/about/
Nafisa Fera is a freelance journalist who is particularly interested in anthropology, food, wildlife and sport. She is currently the Education and Communications Officer for the Royal Anthropological Institute.
Brad Feuerhelm is a London based photographic artist, collector, dealer and writer on photography. He is currently Associate Editor at 1000 Words Magazine and has previously been Director of Daniel Blau Ltd. He has contributed to several photography publications including Eyemazing, BJP, Hotshoe, Photography & Culture and a number of online magazines.
Zuzana Flaskova is Curatorial Assistant for British Modern and Contemporary Art at Tate and previously worked as Assistant Curator for BP Art Exchange, Tate Learning, and the Deutsche Börse Photography Prize Coordinator at The Photographers’ Gallery, London. She graduated from Goldsmiths College, University of London, with an MA in Contemporary Art Theory in 2010 and also holds an MA in History and Theory of Theatre from Comenius University, Bratislava, Slovakia. She writes for Fotograf magazine and Flash Art CZ/SK.
Anneka French is a writer, critic, curator and researcher based in Birmingham. She has curated a number of independent projects in collaboration with artists, and worked to develop exhibitions at a variety of galleries and other spaces in Birmingham, Manchester and London. Anneka writes for several contemporary art publications, and has given academic and more informal talks and lectures at universities and galleries in the West Midlands. www.annekafrench.wordpress.com
Ollie Gapper is an MA Photography student with an acute interest in contemporary photobooks and the American landscape. He has a Bachelors degree in Photography (Contemporary Practice) from the University for the Creative Arts and has received the Alun Jones Scholarship for Photographic Excellence along with the Creative Scholarship for Film and Media. Whilst past work has looked at the construction of the American landscape, more recently his focus has been on disability and what it means to be ‘disabled’. www.olliegapper.com
Alexander García Düttmann is Professor of Aesthetics at UdK (University of the Arts, Berlin). His latest publications include Participation: Awareness of Semblance (Konstanz University Press 2011),Naive Art: An Essay on Happiness (August Verlag 2012) and What Does Art Know? For an Aesthetics of Resistance (Konstanz University Press 2015).
Maribel García studied Philosophy at the University of Seville, worked representing Aperture Foundation in Spain, and was granted with “la Caixa” fellowship to study a Masters degree in Photography at the London College of Communication. She currently lives and works in London.
Miranda Gavin is a writer, editor, and educator based between Brighton and London. She has over ten years experience writing about visual arts in print and online, with a specialism in photography. Miranda is a contributor to Photofusion photography organisation and Hotshoe contemporary photography magazine and is co-founder and facilitator for Tri-Pod—a creative initiative offering support for photographers and lens-based artists working on personal projects in process. Miranda regularly gives talks, does portfolio reviews and judges photography competitions.
Sophie Gerrard is an award winning documentary photographer specializing in environmental and contemporary social issues. Currently based in the UK, Gerrard’s work has been published by The Telegraph Saturday Magazine, Financial Times Weekend Magazine, The Guardian Weekend Magazine, The Independent on Sunday, Portfolio Magazine, Foto8, Uncertain States, Yvi Magazine, Greenpeace International, Scotland on Sunday and Geographical Magazine. Gerrard’s work has been exhibited in the UK and internationally, and is now held in a number of private and national permanent collections. Sophie currently lives and works in London and Edinburgh and is represented by The Photographers’ Gallery in London. www.sophiegerrard.com
Audrey Gillan is an award-winning journalist who has held staff positions on publications that include the Guardian, the Sunday Telegraph, Scotland on Sunday, The Herald and The Scotsman. She was a senior reporter on the Guardian for 11 years but has since become a freelance journalist and scriptwriter. www.audreygillan.com
Lydia Goldblatt trained at the London College of Communications, with a Masters degree in Photography. She works for publications such as the Guardian Weekend Magazine, The Sunday Times and Telegraph magazines, and has been exhibited most recently in a solo exhibition at Felix-Nussbaum Haus, Osnabrück and in group exhibitions at Arles, the Hereford Photography Festival, the Daylight Awards, the Prix de la Photographie and the International Photography Awards. www.lydiagoldblatt.com
John Goto lives and works in Oxford, and is emeritus professor of fine art at the University of Derby. His artworks address a range of historical, cultural and political subject areas, often using a satirical approach. Solo exhibitions include John Goto, Photographs 1971-81,The Photographers’ Gallery, London, 1981;Terezin, Raab Gallery, Berlin, 1988; The Scar, Manchester City Museum and Art Gallery, 1993; The Framer’s Collection, Portfolio Gallery, Edinburgh, 1997; The Commissar of Space, MOMA, Oxford, 1998; Loss of Face, Tate Britain, London, 2002; High Summer, The British Academy, London, 2005; New World Circus, Viopaala Arts Centre, Finland, 2008; Dreams of Jelly Roll, Freud Museum, London, 2012; Sweet Augmentations, Dominique Fiat Gallery, Paris, 2013; Two Days at Oxford, OFS Gallery, Oxford, 2016. www.johngoto.org.uk
Noémie Goudal graduated from the Royal College of Art photography MA with distinction in 2010. Her work has been published in the British Journal of Photography, Time Out, HotShoe, Vogue and Creative Review. Goudal’s work is included in major international collections including the Fotomuseum Winterthur, Conran Foundation and the David Roberts Art Foundation. Her solo exhibitions include HotShoe Gallery and Edel Assanti in London, and Uno + Uno and Project B in Milan. Awards include Leica Prize (2010) and FujiFilm Merit Student Award (2007). Born in Paris, Goudal lives and works in London.
Stephane Graff was born in the United Kingdom and lives and works in London. He is a self-taught artist and photographer exhibiting internationally since 1988. The Professore project is presented as an archive of photographs, drawings, sculptures and short films. Many of the photographs are produced as unique pieces, using an array of vintage techniques such as glass plate negatives, bromoil prints, hand coated silver gelatin, and Graffite prints, (which Graff invented in 2010.) The Professore project has been exhibited at: Paradise Row, Istanbul 2009, Ercel Foundation, Turin 2010, Paradise Row, London 2009, Mimmo Scognamiglio, Milan 2010, Amerikan Hastanasi, Operating Room, Istanbul 2010, Assab One, Milan 2010, Paris Photo, Hamiltons Gallery 2011, Beton Gallery, Athens 2012, Odile Ouizeman, Paris 2012, City Gallery of Prague 2012, Museum of Modern and Contemporary Art, Nice, France 2013. www.professore.co.uk
Colin Graham is the author of Northern Ireland: 30 Years of Photography (2013), Deconstructing Ireland (2001) and Ideologies of Epic (1998). He is co-editor of The Irish Review, and of three collections of essays. He writes for Source photography journal and The Vacuum and is curator of the Illuminations gallery space at NUI Maynooth, where he lectures in English.
Emily Graham is co-founder of Night Contact, a new photography and multimedia festival taking place for one night only in Dalston, London, on the evening of 27 September 2013 from dusk until midnight. Night Contact is the latest project by the online photography gallery and blog Contact Editions, which was established in 2008 by Anna Stevens and Emily Graham. Since it’s formation in 2008 Contact has established a reputation as one of the key organisations representing emerging photographic art in London. Emily is also the Photography Manager at international NGO WaterAid, where she commissions shoots across Africa and Asia and creates and curates creative projects and collaborations. Her freelance photography and production work includes working on projects with Corinne Day, Maurice Broomfield, the Victoria and Albert Museum and Foto8.
Yvette Greslé is a London-based arts writer and critic, and a PhD candidate at University College London. Supervised by Professor Tamar Garb, her thesis is on South African video art and questions of history and trauma.
Ramona Guntert is a German photographer who graduated with a BA (Hons) from the University for the Creative Arts, Rochester in 2014. Currently she is living and working in London. The notion of alienation and distance are areas of continued interest and the idea of how individual photographs can interact with each other. Her latest work ‘Die Fremde’ has been exhibited at Photokina in Cologne, Free Range show at the Old Truman Brewery, Float Art 2014 at OXO Tower, Bargehouse in London. The work has also been featured on Source Graduate Photography 2014, the Millenium Graduate Gallery and The Lucky Jotter. Ramona received a Photomonitor commendation for her work. www.ramonaguntert.com
Juliet Hacking is the Programme Director of the MA in Photography (Contemporary & Historical) at Sotheby’s Institute of Art. She is the author of a book on David Wilkie Wynfield and the editor of Photography: The Whole Story (2012).
Thomas Haywood studied History and Anthropology before doing a Masters in Photography at the Royal College of Art in London, winning The Photographers’ Gallery RCA Prize for his graduation show in 2008. Solo shows include ‘Everything Together,’ at Exhibit, London, 2010, and group shows include At Home, LoBe in Berlin, Mirror Mirror, Jerwood Gallery, and Survey, at Standpoint Gallery in London. thomashaywood.co.uk
Lauren Heinz worked at Foto8 as editor for the award-winning 8 Magazine for over eight years, before being appointed Senior Editor at the British Journal of Photography. She has curated several exhibitions in the UK, Europe and worldwide and contributes writing on photography to various publications. After obtaining an MA in Anthropology of Media, Lauren now works as a freelance editor, writer, researcher and curator in London.
Francis Hodgson is an adviser specialising in fine photographs. He consults on many aspects of photography including public and private collections, stock libraries and photographers’ professional development. Hodgson is the photography critic of the Financial Times, one of the founders of the Prix Pictet, and a former head of the photographs department at Sotheby’s. Widely published in numerous magazines and journals, Hodgson also writes about photography on his blog francishodgson.com
Claire Holland is a freelance writer based in East Sussex. Formerly Picture Editor of the FT Weekend Magazine, she continues to write about style and photography for the Financial Times, and The Telegraph, among other publications.
Max Houghton is senior lecturer in photography at London College of Communication, University of the Arts London, and a researcher for PARC. She edited the photography biannual 8 magazine for six years, and now writes regularly for the international arts press. She is writing a book on emerging female photographers from the Firecracker platform with Fiona Rogers and edited the 2016 Aperture book Negative Publicity: Artefacts of Extraordinary Rendition by Edmund Clark and Crofton Black. She hosts talks at The Photographers’ Gallery and Frontline Club, and is a frequent panelist at photography festivals and art fairs. She has curated shows in London, Brighton and New York.
Nicolai Howalt studied at Denmark’s Photographic Art School Fatamorgana. His photographic works draw on documentary traditions, but are also inspired by art and photography history. The conceptual and abstract are an equally integrated part of Howalt’s art. The collision of different states, domains or worlds is a recurrent theme in series like 3×1, BOXER, Car Crash Studies and Borders. Howalt’s works have been shown in numerous solo and group exhibitions in Denmark and abroad. His works are represented in central collections and museums, including La Maison Européenne de la Photographie, France, MUSAC, Spain and The New Carlsberg Foundation, Denmark. Howalt’s most recent project Light Break was recently exhibited at Edel Assanti in London. www.nicolaihowalt.com
Ellie Howard is a London-based freelance writer, focusing on arts & culture. Her writing has appeared in the Elephant Magazine, The Spaces and Dazed & Confused, amongst other publications. She currently works at Studio Voltaire.
Nicolas William Hughes has been studying art and photography for the past 7 years. Nicolas Graduated from Newport University with a BA(hons) degree in Photographic art in 2008 and in 2011 obtained a Masters Degree in Photography contemporary dialogues from Swansea metropolitan university. Nicolas is a lens based artist and has exhibited nationally and internationally. Nicolas has in the past created projects that explore mans relationship with nature and how we view the natural environment. Nicolas is currently undertaking research into self portraiture and landscape photography. www.nicolaswilliamhughes.com
Laura Huhta is a Swedish photographer based in London. After completing her studies in sociology, Huhta moved to the UK to study at University for the Creative Arts, Rochester, where she completed her BA (hons) in Contemporary Photography in 2013. Huhta was selected to receive a Photomonitor commendation for her work The Master Plan, which she exhibited at the UCA Rochester 2013 Degree Show, and which she plans to show throughout the UK. www.laurahuhta.com
Dorothy Hunter is an art writer from Northern Ireland. A recent fine art graduate of University College Falmouth, she lives and works in Belfast.
James Hyman received his doctorate from the Courtauld Institute in London, where he subsequently taught. He worked for the Saatchi Collection, Christies and Helly Nahmad Gallery before opening his own gallery. An art historian and art dealer, his book, The Battle for Realism. Figurative Art in the Cold War (Yale University Press, 2001) was shortlisted for the W. B. Berger Prize for studies in British Art History. James is a collector of photographs from the 1840s to the present. The Hyman Collection presently consists of over two thousand vintage photographs, unique prints, limited edition works and modern prints, as well as including works in other media. The photography collection ranges from the earliest days of photography in the mid nineteenth century, through twentieth century modernism, to the latest contemporary practice in Britain and abroad. He is a former Treasurer of the International Association of Art Critics (AICA, British Section) and is on the Executive of the Society of London Art Dealers (SLAD) and on the Executive Board of Association of International Photography Art Dealers (AIPAD). He was also a judge and sponsor of the National Media Museum Bursary Awards for Young Photographers. www.jameshymangallery.com
Naomi Itami is a cross-disciplinary artist working in mixed media and sound. She was formerly an international opera singer and holds several masters degrees including one from the LCC in Photography. She writes on the arts and is a frequent contributor to various publications and monographs.
Celia Jackson is an artist and writer who has lived in Wales for almost half her life. She began her creative studies 26 years ago, and since then has been involved with lens-based imagery and the use of text in the broadest possible terms, from pinhole photography through drawing, collage, artist’s books and creative writing. Issues of memory and transformation lie at the heart of her practice, much of which is rooted in an extended meditation upon photography as a medium of representation. Most of the time she uses a pinhole camera, a primitive device that produces strange, unsettling images saturated with emotion and nostalgia, whose complexity belies the simplicity and purity of the camera itself. She has exhibited widely, both nationally and internationally, and has co-ordinated a number of collaborative art projects as well as producing work to commission for others. She is a Senior Lecturer in Photography at the University of South Wales and is also a long-distance runner. https://twitter.com/CeliaRJackson
Grace James is a writer-artist and is also part of the 605 collective.
Helen James is a photographic historian / writer specialising in the history and culture of photographs exhibited in British galleries and museums. Based in Edinburgh, Helen works across the UK as a freelance writer, lecturer and consultant on photography for publications and organisations that have included Barnardo’s, The Times Education Supplement, FiveArts Broadcasting Publications, United Business Media and University College Falmouth. She has previously worked across photography as an education manager and lecturer most notably at: the National Portrait Gallery (London), Photoworks (Brighton), Open Eye Gallery (Liverpool), Modern Art Oxford and Edinburgh College of Art.
Hazel Johnson (see Hazel Simcox, below)
Fergus Jordan is a PhD researcher based in Belfast, Northern Ireland. His latest body of work Under Cover of Darkness (2008-2011) examines the relationships between darkness, light and territory in the Post Conflict society of Northern Ireland. After showing in the Golden Thread Gallery in Belfast in October 2011, the work will be exhibited later this year at Galerie OKK in Berlin. The publication, Under Cover of Darkness, containing a full catalogue of this series, is published by Allotrope Press and the University of Ulster. www.fergusjordan.com
George Kafka is a writer, editor and researcher based in London. He writes on architecture, cities, art, music and film, and his work has appeared in Metropolis, uncube, The Architectural Review, transmediale, Port, Huck and more. He is a founding member of the &beyond editorial collective. georgekafka.co.uk
Armenoui Kasparian Saraidari’s photographic practice is part of her multidisciplinary research, which focuses on photographic archives used in contemporary art practice and their function in the revision of collective memory. Her research focuses on the photographic material and its use as a referent that bares witness to the traumatic events of the Armenian Genocide. In June 2013 she completed a Masters Degree in Photography at Central Saint Martins College of Arts and Design with Distinction. Currently she is studying for a Research Degree (PhD) in Central Saint Martins. www.armenouiks.com
Sharon Kivland is an artist and writer. She is Reader in Fine Art at Sheffield Hallam University. Her work considers what is put at stake by art, politics, and psychoanalysis. She is represented by Galerie Bugdahn und Kaimer, Düsseldorf, Johan Deumans Gallery, Amsterdam, and Galerie des petits carreaux, Paris and St-Briac. Her latest book in the series Freud on Holiday, entitled A Cavernous Defile. Part I, was published in December 2013 by Cube Art Editions, Athens, and is currently being translated into Italian. Her last solo exhibition was at CGP, London, entitled Folles de leur corps / Crazy about their bodies after a footnote in Marx’s Capital. She is currently reproducing the footnotes of Capital, chapter by chapter, as a series of pamphlets with a dust-jacket in Financial Times pink, each with a tipped-in photograph of nicely-shod women’s feet as a frontispiece. www.sharonkivland.com
Steffi Klenz is a German artist based in London. Her work has been exhibited in various group- and solo exhibitions at the Finnish Museum of Photography in Helsinki, the Phoenix Art Museum, The Los Angeles Centre for Digital Art, SeaCity Museum in Southampton, Museum Künstlerkolonie in Darmstadt, The Fine Art Museum in Luleå, Künstlerhaus Bethanien in Berlin, Stanley Picker Gallery in Kingston upon Thames, New Art Gallery Walsall, The Goethe Institute in Glasgow, Focal Point Gallery in Southend-on-Sea to name a few. Her piece Alternative Histories or the Pain of a Felon has been commissioned for the publication “Rights of Passage” launched at Venice Bienniale 2015. She is Reader in Photography at the University for the Creative Arts (UCA) in Rochester. www.steffiklenz.co.uk
Sara Knelman is a writer and curator based in London, UK. She is a PhD candidate at the Courtauld Institute of Art, where she researches photographic curation in museums. She is a regular contributor to Daily Serving. www.dailyserving.com
Karen Knorr was born in Frankfurt am Main, Germany in 1954 and was raised in San Juan, Puerto Rico in the 1960s. Knorr arrived in London in 1976, graduating from the Polytechnic of Central London with a BA (Hons) in Film and photographic Arts in 1980. She went on to do a Masters in Photographic Studies at Derby University in 1990. Karen Knorr was awarded a National Endowment of the Arts Award in 1986 for her series Gentlemen; recent work India Song was awarded the Pilar Citoler V International Photography Award in 2010. Her photography developed a critical and playful dialogue with documentary photography using different visual and textual strategies to explore her chosen subject matter that ranges from the family and lifestyle to the animal and its representation in the museum context. Her work is represented by Eric Franck Fine Art, London; Photo & Co.,Turin; Galerie Filles du Calvaire, France; James Danziger, New York and Tasveer Arts, Bangalore. She is Professor of Photography at the University for the Creative Arts, Farnham, Surrey. www.karenknorr.com
Aris Kourkoumelis is a London-based writer and curator. He is currently the coordinator of the Norman Parkinson Archive and has previously worked at the photography departments of The Vatican Library, The Peggy Guggenheim Collection and The Benaki Museum.
Riikka Kuittinen is a curator specialising in photography and prints. She is a published writer, including the book Street Art: Contemporary Prints (V&A Publications). She has previously worked at the Victoria and Albert Museum and Historic Royal Palaces.
Henrietta Landells is a writer based in London, currently working on curatorial and research projects with Photo50 and Archaeology of the final Decade. She completed an MA at the Courtauld Institute of Art in 2015, where her research focused on documentary practices in contemporary art.
Joanne Laws is an independent arts writer and researcher based in the west of Ireland. She is a member of the International Association of Art Critics and her writing has previously been published across a range of publications including: Afterimage Journal of Media, Arts and Cultural Criticism(U.S), Art Papers (U.S), Art Monthly (U.K), Cabinet (U.S), Enclave Review (IRL), Frieze (U.K), Variant(U.K) and Visual Artists News Sheet (IRL).
Greg Leach began his career as an arts-based photographer, undertaking a variety of residencies and commissions, including a period as Artist in Residence at H.M. Prison Manchester (Strangeways). His work was widely exhibited in the UK and Europe, and he received a major Arts Council of England publication bursary for a monograph entitled Twice-Told Tales. He has taught photography at undergraduate level for over 20 years. Having written criticism on an occasional basis, his creative output moved to writing fiction, resulting in several collaborations with visual artists. In 2013 he published a novel entitled Hunting in the Dark. He is in the process of re-engaging with his photographic practice.
Rowan Lear is a writer, artist and filmmaker, interested in exploring the relationships between media, memory, photography and language. www.rowanlear.co.uk
Erika Lederman is a writer and photo historian working in the Word and Image department of the V&A Museum, London. She has been widely published, including articles in Art Monthly, The New York Times, Bloomberg News and The Art Newspaper.
Laura Letinsky lives and works in Chicago, USA. Her works have been exhibited at the The Photographers’ Gallery, London; Museum of Modern Art, New York; The Netherlands Foto Institute; and the San Francisco Museum of Modern Art, among others. Her photographs are in several permanent public collections. www.lauraletinsky.com
Alastair Levy is an artist based in London. Recent shows include Exeter Contemporary Open, Exeter Phoenix, Exeter (2017), Alastair Levy, Three Works, Weymouth (2017), Artist Film Festival II, The Bomb Factory, London (2016) and Edit/Undo, Space In Between, London (2015).www.alastairlevy.net
Emma Lewis is Curatorial Assistant in Photography and International Art at Tate. Prior to this she worked as Assistant Editor at Art / Books, managed the Terence Donovan Archive, and spent three years in the Photographs Department at Phillips. Her independent curatorial projects and writing on photography can be found at www.ejlewis.co.uk.
Walter Lewis is now attempting to realise his dream of being a fine art photographer and researcher exploring ‘ecocritical’ issues, after 35 years earning a living at the interface of technology and commerce. After finishing ‘work’ in 2010, he enrolled on the MA course in photography at Sunderland University and was awarded the degree – with distinction – in November 2012. In his practice, he seeks to create visual narratives which arise from, and which promote, critical reconsideration of our relationship with the world around us. Since 2012 he has been an Honorary Research Associate of the WALK Research Centre at the University of Sunderland.
Brian Liddy is Associate Curator at the National Media Museum, Bradford. He has curated numerous exhibitions drawn from the museum’s extensive holdings, including The Art of Arragement: Photography and the Still Life Tradition (2012), The Lives of Great Photographers (2011), A Matter of Focus: The Art of Photography 1892 to 1917 (2003). He is currently working on the museum’s Media Space exhibition programme.
Zoë Lippett is a curator and freelance writer. She works as Exhibitions and Artists’ Projects Curator at The New Art Gallery Walsall where she curates a programme of contemporary art exhibitions and artist residencies. Recent exhibitions include Noémie Goudal: The Geometrical Determination of the Sunrise, 2014 (touring to Foam Fotografiemuseum Amsterdam in 2015) and FOUND, 2015 (Paul Chiappe, Ruth Claxton, Julie Cockburn, Ellen Gallagher, Erik Kessels, Vesna Pavlović, John Stezaker). Her latest exhibition, a solo presentation of new work by Irish sculptor Eva Rothschild, will open on 23 September 2016. She is a catalogue essayist for This Was Tomorrow at Kunstmuseum Wolfsburg (30 October 2016 – 19 February 2017), the first exhibition in Germany to deal comprehensively with the birth and evolution of Pop Art in Great Britain.
Fiona Loughnane works as an associate lecturer in visual culture at the National College of Art and Design, Dublin and is a PhD candidate in the Dept. of English and Media, Maynooth University. Her research investigates the photographic cultures of Irish Catholic evangelists to Africa, with a particular attention to photograph albums.
Moira Lovell creates staged portraits that deal with gender, class and politics. Previous bodies of work have won the prestigious Jerwood photography prize and the Magenta Foundation Emerging Photographers Prize. Lovell has been awarded a Pavilion Commission and a National Media Museum Photography Bursary. In 2012 she will exhibit a portrait commissioned by The Photographers’ Gallery, which will coincide with the Olympics and her series We Still Stand will begin a three year exhibition tour with mac. www.moiralovell.com
Anthony Luvera is an Australian artist, writer and educator based in London. His photographic work has been exhibited widely in galleries, public spaces and festivals including the British Museum, London Underground’s Art on the Underground, National Portrait Gallery London, Belfast Exposed Photography, Australian Centre for Photography, and Les Rencontres D’Arles Photographie. His writing has appeared in a range of publications including Photoworks, Source, Hot Shoe and Photographies. Anthony lectures at institutions including Central Saint Martins College of Art and Design, London College of Communication, and University for the Creative Arts Farnham. He also facilitates workshops and gives lectures for the public education programmes of organizations including the National Portrait Gallery, Barbican Art Gallery, and The Photographers’ Gallery. www.luvera.com
Shane Lynam is an Irish photographer based in Dublin. His work focuses on the built environment and looks to question some of the ideas that shape public spaces. He recently completed Fifty High Seasons, which along with his first project Contours, makes up a body of work set in France. Shane is currently working on a new project – provisionally entitled ‘Inner Field’ – set in Dublin. www.shanelynamphoto.com
MacDonaldStrand is the collaborative partnership of Gordon MacDonald and Clare Strand. They are based in Brighton, England. MacDonald founded and, until recently, edited Photoworks magazine. He is a co-founder of the Brighton Photo Fringe and chaired their Board of Trustees for ten years. He is also co-Director of GOST Books, alongside Stuart Smith; a new photography and visual arts publishers based in London. Strand is an internationally recognised artist whose work is held in many private and public collections including the Arts Council of England collection, the National Collection at the V&A and Collection Centre Pompidou. She is represented by Camilla Grimaldi Gallery, London. www.macdonaldstrand.co.uk
Lucy Macmillan is a critical commentator, writer and researcher with an established career in museums, galleries and publishing houses for over 18 years. Clients include National Portrait Gallery, National Trust, Pallant House Gallery, Paul Mellon Centre, Thames & Hudson and Cambridge University Press. She received her BA (Hons.) in Ancient History from King’s College London, and her M.A. in Byzantine Art from the Courtauld Institute of Art. Currently Lucy Macmillan is writing in-depth and critical analyses on exhibitions from a curatorial and research perspective.
Eleanor Macnair lives and works in London. She studied English at the University of Bristol before working in New York for Toth Brand Imaging. For the past 12 years she has worked in communications for a variety of galleries including Michael Hoppen Gallery, National Portrait Gallery, Media Space (Science Museum), Grimaldi Gavin and White Cube. She is currently freelance for GOST Books, Magnum Photos and Atlas gallery alongside promoting projects for individual photographers.
Robin Maddock is a photographer who has so far mainly concentrated on aspects of English life. He has two previous books, Our Kids are Going to Hell about drug raids on Hackney homes and Copenhagen, City of Bicycles with Cecelia Vanmann, in addition to his most recent publication, God Forgotten Face published by Trolley Books. He currently resides in San Francisco. www.robinmaddock.com
Melanie Manchot is a London-based artist who works with photography, ﬁlm and video as a performative and participatory practice. Her projects often explore specific sites and the public spaces in order to locate notions of individual and collective identities. Her work has been shown nationally and internationally including exhibitions at The Whitechapel Gallery, London; MacVal, Musee d’Art Contemporaire, Paris; The Photographers’ Gallery, London; Galerie m, Bochum, Germany; The Brooklyn Museum, New York; The Australian Museum of Photography, Sydney; The Courtauld Institute, London; Museum Folkwang, Essen, Carslaw St* Lukes, London; Videonale 14, Bonn; Pitzhanger Manor Gallery, London; Northern Gallery of Contemporary Art, Sunderland and as part of Nuit Blanche, Paris. She is the recipient of many awards including the Oriel Davies Award 2012 and the Great North Run Moving Image Commission 2013. www.melaniemanchot.net
Francesca Marcaccio Hitzeman (b.1981) is an artist and writer based in London. She holds degrees from Universita’ degli Studi in Florence and London College of Communication in London. She was awarded a bursary for the Iconographic Research from the CPF Bauer Institute in Milan and has undertaken several projects including the Base/Project for the Arts (Florence) and the editorial project for Dust Magazine. She currently writes for the MyTemplArt Project, combining research of the photographic archives with issues of memory and history within contemporary art practice. She was also awarded a bursary for the RCA/Inspires Curating Conversations Programme. www.francescaemme.com
Francis Marshall is Senior Curator of Art & New Media at the Museum of London. He is interested in all aspects of visual culture from the mid-20th century to the present day and particularly the links between painting, photography and film. Amongst other projects, he is currently working on a DPhil about the American painter RB Kitaj.
John McDougall is a curator, photographer and writer based in Glasgow. Interested in the intersections between photography and performance, with a view to how they may be utilised as a social tool.
John McIntyre is the editor of Memorable Days: The Selected Letters of James Salter and Robert Phelps. His work has appeared in The American Scholar and Intelligent Life.
Joss McKinley was born in Oxford and raised in Somerset. In 2000 he moved to London to study graphic design at Central Saint Martins. There he found an interest in photography and went on to complete an MA in Fine Art Photography. Since then McKinley has exhibited his work in the UK, New York and Amsterdam. His work is in the permanent collections of The Foam Museum, Amsterdam and The National Portrait Gallery, London. McKinley lives and works between London and New York. www.jossmckinley.com
Wendy McMurdo ’s work focuses on the now ubiquitous role of the computer in the lives of the majority of western children. The rapid proliferation of computers in schools has provided the context for the development of much of her work, which looks directly at the influence of computers on early years education. Working closely with local schools, she has explored the role of the child within the school, the growth of the Internet and the development of networked play. In related projects, she shadowed school parties on educational visits to various local museums, a process which evolved naturally from photographing in the classroom. From this, she produced series of works that explored the ways in which children related to the museum and its objects in a world of increasing simulation. She is based in Edinburgh.Works from Wendy McMurdo’s series ‘Let’s Go to a Place’ will be premiered in the exhibition Gravitas curated by Christiane Monarchi for Photo50 at London Art Fair, 17-22 January, 2017. Artist’s website: wendymcmurdo.com
Anna McNay is an art writer and editor. She is Assistant Editor at Art Quarterly. Previously she has worked as Deputy Editor at State Media and Arts Editor at DIVA magazine. She contributes regularly to Studio International and Elephant and has been widely published in a variety of other print and online art and photography journals and newspapers. Anna’s work spans a variety of formats, including reviews, profiles, interviews (written and to camera), portfolios and essays. She has written catalogue essays for numerous galleries, including the Royal Academy of Arts. She regularly hosts panels and in conversation events. Her blog, art-Corpus, acts as an archive of her writing. Areas of particular interest include representations of the body, gender, sexuality and mental health. art-corpus.blogspot.co.uk
Dorrell Merritt is a fine art photographer, arts writer, poet and publisher. In 2012 he graduated from Coventry University with a BA Hons in Photography, before returning to his hometown of London. His photographic work, often exploring the trifecta between intimacy, narration and orchestration has been exhibited in a range of galleries across the U.K. As a writer, he has been commissioned for art publications such as Paper Journal, BKN Magazine, Sang Bleu, Dazed Digital and many more. He serves as creator and editor of conversation series’ SEED Monograph & Quo Vadis, as well as founder & creative director of publishing house SEED Editions. www.dorrellmerritt.co.uk |www.seededitions.com
Joséphine Michel is a photographic artist born in Paris and currently living in London. Her work focuses on the impact of sound on photography, in terms of reverberation, texture, and interferences. She studied photography at the École Nationale Supérieure de la Photographie in Arles and completed an MPhil, entitled ‘The Sonic Photograph’ at the Royal College of Art. Recent individual exhibitions include: Bienal de la Fotografía de Lima, Wu Galeria, Peru, 2014; Royal College of Art, London, U.K, 2013; Rencontres d’Arles, France, 2012. Publications include Lude, Filigranes Editions, 2007; Halfway to White, in collaboration with the composer and sound artist Mika Vainio, Touch, November 2014. www.josephinemichel.com
Caroline Molloy is a Senior Lecturer at Coventry University teaching on B.A. Photography. She has an M.A. in Photography from the Royal College of Art and an M.A. in Visual Anthropology from Goldsmiths, University of London. She is a part time research student at Birkbeck, University of London at the Centre for Photographic History and is currently participating on the research development program at Coventry University. Areas of interest: Photography, Visual Culture, Anthropology, Ethnography, Post Colonial discourse, reorienting Orientalism, Cross-cultural Identity, Hybrid Identity, Imagined communities, Visual methods, Aesthetics, Nationness, Identity formation, Transnational imagination, Transvisuality, Visual economies.
Yvette Monahan is a Dublin based photographer who works with myths and landscape. She is interested in how a particular landscape can hold stories of what’s been and what could be. Yvette recently won the Portfolio Award at PhotoIreland 2013 for her body of work The Time of Dreaming the World Awake. This project was also chosen to be part of the Belfast Photo Festival Open Submission exhibition, which was curated by Alec Soth and Brett Rogers. The Time of Dreaming the World Awake was exhibited and published in New Irish Works, a showcase of contemporary photography currently in Ireland. She recently completed an MFA at the University of Ulster under Paul Seawright and Donovan Wylie. Yvette also works as one half of seanandyvette photography with her husband Sean Breithaupt. They both work independently but come together for commissions. www.seanandyvette.com
Christiane Monarchi is the founding editor of Photomonitor. She also writes on photography for other publications, organises artist talks and symposia, curates exhibitions, conducts portfolio reviews and judges art prizes.
Alexander Montague-Sparey is Director, Head of Photographs at Christie’s London. Prior to this, he curated the selling exhibitions programme at Phillips de Pury & Co., which included Sudeley Castle’s ‘Artists’ Playground’ , Mario Testino’s ‘Obsessed by You’ and the Guy Bourdin retrospective, ‘Unseen’. Alexander holds a Master’s degree in the History of Art from the University of Oxford. He writes for international publications on art, photographs, interiors and architecture. He is also a nominator for the Prix Pictet and is on the steering committee at the Photographer’s Gallery.
Sebastien Montabonel is a Partner in Montabonel Fabres, Post-War and Contemporary Art Advisory. Previous experience includes Phillips de Pury where he worked as European Senior Specialist in Contemporary Photography. He initiated the Private Collector project, which brings to the public some of the most important private art collections, in partnership with the Saatchi Gallery. In early 2010 he orchestrated the first public exhibition for the Franks-Suss Collection and later the same year he secured the Juan Yarur Contemporary Art Collection in partnership with the Chilean Ministry of Foreign Relations. Sebastien was the adviser for the acquisition of the Jacobson/ Hashimoto Collection by Tate Modern which consequently holds the largest collection of vintage modernist Japanese photographs in the western world. He is also Nominator for the Prix Pictet, The Hasselblad Foundation Award and the founder and Editor in Chief of Alaska Editions.
David Moore is a London based photographer who has exhibited and published internationally. He has been working as a photographer and educator since graduating from West Surrey College of Art and Design, Farnham, in 1988. He is currently senior lecturer on the MA Photography course at Central Saint Martins College, London and continuing to work on several projects. Most recently, his book Pictures from the Real World. Colour Photographs from 1987-88, a documentary series of family life on a council estate, Derby, was published in 2013 by Dewi Lewis /Here Press. www.davidmoore.uk.com
Dr Thomas Morgan Evans completed his PhD at the University College London where he has been a Henry Moore Post-Doctoral Fellow for the last two years. He is working on a book project on Andy Warhol’s sculpture.
Douglas Murphy is a writer based in London. His first book, The Architecture of Failure, is being published by Zero Books in February 2012.
Adam Murray is a photographic practitioner and Senior Lecturer at the University of Central Lancashire. Adam began Preston is my Paris in July 2009 with Robert Parkinson as a photocopied zine with the intention of encouraging the exploration of Preston as a subject for creative practice and TENT in 2013 with Oliver Whitehead as a platform for photographic practice in Greater Manchester.
Moritz Neumüller is a curator, educator and writer in the field of Photography and New Media. At the moment, he is working as Festival Curator at PhotoIreland in Dublin, and directing a study program called European Master of Fine Art Photography for the Istituto di Design in Madrid. In 2009, he founded ArteConTacto, a project aimed at exploring art through all senses, in order to provide access for all visitors, including the visually impaired. This project will be complemented with an online database of European museums that are open for all visitors, available soon at www.museumforall.org. As a curator, Moritz is interested in contemporary work made by photographers and media artists from around the world, especially documentary, social and conceptual work. His publications include El otro lado del alma, Edition Oehrli, Zurich (2005); Bernd & Hilla Becher speak with Moritz Neumüller, La Fábrica / Fundación Telefónica, Madrid (2005); All Inclusive. New Spanish Photography, Lodz Photography Festival, Polonia (2007); TO HAVE & TO LOSE. Three projects by Mireia Sallarès, Galleri Image, Aarhus (2008) and Martin Parr’s Best Books of the Decade, PhotoIreland, Dublin (2011). Since 2010, he runs the The Curator Ship, an online resource for visual artists.
Laura Norman graduated from Kingston University in 2013 with a BA in Fine Art, and works as Assistant Curator at ATLAS Gallery. Her main photographic interests lie in the 20th century avante-garde, and performance within photography. She is currently working to complete the first issue of a new photography magazine ‘PhotoLocale’ – Launching later in 2016. lauranorman.info
Mandy O’ Neill is a visual artist based in Dublin. Her practice involves explorations of the local and the everyday, which often resonate globally. It borders the genres of social commentary and the constructed image, with a strong emphasis on the portrait. She graduated in 2005 with a first class honours degree from the DIT College of Photography and Digital Imaging. Since then she has been developing her practice through a series of long and short-term projects. Subjects have included young adults, the boxer, schools and the family. Her work has been exhibited extensively both nationally and internationally and is held in both public and private collections. She has received support from the Arts Council of Ireland and Culture Ireland and her work was recently featured in the esteemed publication New Irish Works. She was a finalist in the 2012 Julia Margaret Cameron Award and has recently been shortlisted for the Hennessy Portrait Prize 2014. This shortlisted work is currently exhibited at the National Gallery of Ireland. www.mandyoneill.com
Casey Orr is a photographer, researcher and Senior Lecturer in the School of Art, Architecture and Design, Leeds Beckett University where she holds a PhD in Documentary photography. She is also a member of the feminist art collective, F=. She has shown her work in the US (Jen Bekman, New York, the University of the Arts, Philadelphia) as well as in galleries, museums and festivals in the UK including Look Liverpool International Photography Festival, Brighton Photo Biennale, The Observer Magazine, The Royal Photographic Society Contemporary Photography Magazine, The Yorkshire Sculpture Park and (the first time the walls of a prison have been used as a space for art) at HM Prison Leeds. She considers photography not only as “a tool to document” but also in its poetical relationship to metaphor in a continually changing world.
Rodrigo Orrantia is an art historian and photography curator based in London. He currently works as curator at Lucid-ly, an art consultancy specialised in photography and lens-based media. After graduating from the Historical and Contemporary Photography MA at Sotheby’s Institute, London in 2011, he worked for Mummery+Schnelle gallery, developing a programme of photography shows with national and international artists, including Ori Gersht, Luigi Ghirri, and more recently a group show of three generations of Latin American artists working with photography, identity and place. (http://rodrigoorrantia.com/twelve/essence-of-place/). To complement his work as curator, he is visiting lecturer at the Photography programme at Middlesex University, London.
Gemma Padley is a freelance journalist and editor who specialises in photography. She is a regular contributor to BJP, and also writes for the Telegraph, 1000 Words magazine, LensCulture, and Amateur Photographer. www.gemmapadley.com/selected-articles/
Effie Paleologou is a London-based visual artist , whose work has been exhibited nationally and internationally and is held in collections such as the Victoria and Albert Museum in London and the National Museum of Contemporary Art in Athens. Part of her series Mean City is currently on show in Victoria and Albert Museum as part of A History of Photography: Series and Sequences.
Dr. Katherine Parhar is a writer and art historian based in Scotland who curates solo and group exhibitions across Europe, the UK and USA. She is chief editor of long-standing Scottish photography journal Studies.
Martin Parr has worked on numerous photographic projects and has developed an international reputation for his innovative imagery, his oblique approach to social documentary, and his input to photographic culture within the UK and abroad. A member of Magnum Photographic Corporation, Parr has extended his use of photography to filmmaking, fashion and advertising, curating touring exhibitions and photography festivals, and publishing numerous publications and artist’s books in addition to teaching at the University of Wales, Newport. He is represented by Magnum and 14 galleries worldwide. www.martinparr.com
Daniel Pateman is a writer and international festivals editor for The Photography Diaries, interested in the multiple avenues available for self-expression and critical thinking, such as writing, photography and film. He recently co-curated his first photography exhibition “Elsewhere is a Negative Mirror” in East London, being inspired by the events of Brexit to investigate the socio-political legacy of borders, and is currently studying for his MA in Contemporary Literature and Culture at Birkbeck University.
Erica Payet is a photography historian, currently a PhD candidate at the Courtauld Institute, focusing on the history of photojournalism. She formerly worked at Daniel Blau vintage photography gallery and at Parasol unit foundation for contemporary art, as Exhibitions Manager. She studied the history of photography at the Ecole du Louvre in Paris and is a graduate of King’s College, London. She has written about photography for a number of years. http://
Mary Pelletier is a photographic historian and dealer based in London. After graduating from the Historical and Contemporary Photography MA Programme at Sotheby’s Institute of Art, she worked with the Bonhams Photographs Department and currently manages James Hyman Gallery, specialising in nineteenth-century French and contemporary British photography.
Jocelyn Phillips is the former Head of Photographs at Bonhams auctioneers in London and was previously photography specialist at Sotheby’s London for five years. She has written and taught on photography for a number of years and is the author of Collect Contemporary Photography, published in 2012 by Thames and Hudson.
Joanna Piotrowska was born in 1985 in Warsaw, Poland. She received her MA at Royal College of Art in London. Selected exhibitions include: The Suspension of History at Basement Project Space in Cork, XV Call Luis Adelantado in Valencia, Family Politics at Jerwood Visual Arts in London, Bloomberg New Contemporaries 2013 at Spike Island and Institute of Contemporary Arts in London. She took a part in the learning place program in Former West conference at Haus der Kulturen der Welt in Berlin. In 2011 she was awarded the Genesis Foundation Scholarship. She is selected for The Catlin Guide 2014 which showcases the latest crop of Britain’s most talented new artists. joannapiotrowska.com
Lucía Pizzani born in Caracas, (1975) lives and works in London. She holds a BA in Communications Studies, (Universidad Católica Andres Bello, Caracas), Certificate in Conservation Biology from CERC at Columbia University (New York) and Master in Fine Arts from the Chelsea College of Art and Design (London). Recent awards and residencies include: Photofusion Hotshoe Award 14, (London, 2014) the Emerging Artist Award by the AICA, International Art Critics Association -Venezuelan chapter-, (Caracas, 2013), and the XII Premio Eugenio Mendoza (Caracas, 2013) with a following Residency at Hangar (Barcelona). She has exhibited internationally in museums and galleries such as Sala Mendoza (Caracas), House of Egorn (Berlin), Cecilia Brunson Projects (London), Oficina#1 (Caracas),Queens Museum (NY), MOLAA Museum Of Latin American Art (LA), Jacobo Borges Museum (Caracas), Stephen Lawrence Gallery (London), the Museo de Arte Contemporáneo de Vigo, MARCO (Vigo) and Universidad de los Andes (Bogotá), among others. Her works is represented in private and public collections such as the Essex Collection for Art from Latin America ESCALA, Colección Patricia Phelps de Cisneros, CPPC, Museum Of Latin American Art, MOLAA, Colección Banco Mercantil and Colección Juan Yarur. www.luciapizzani.com
Judy Price works across photography, moving image, sound and installation. A primary focus of her work is how art can produce different ways of thinking about contested landscapes and engage with collective struggles. She often draws on images and sounds from archival sources and the sustained study of places that are resonant with overwritten histories and redrawn boundaries. Palestine has been an enduring focus in her work for over 10 years. Price is Course Director in Photography (MA) at Kingston University and a Senior Lecturer in Moving Image (BA) at the University of Brighton. From 2008–2014 she was a visiting lecturer at the International Academy of Art, Palestine and initiated a series of student exchange programs between Palestine and UK institutions. Her work has been exhibited and screened internationally including; UK (Imperial War Museum, Barbican, Curzon, Goldsmiths, Mosiac Room, Danielle Arnaud Contemporary Art Gallery, Cambridge Film festival and Tent Gallery, Edinburgh), Norway (Stiftelsen 3,14 and USF Centre, Bergen), Canada (Galerie Leonard & Bina Ellen Art Gallery, Montreal), Germany (Kunshaus Cinema, Nürnberg) and Palestine (Khalil Sakakini Cultural Centre, Ramallah and Al- Ma’mal Foundation for Contemporary Art, Jerusalem).
Phillip Prodger is Head of Photographs at the National Portrait Gallery, London. Phillip previously worked at the National Gallery of Canada, the Saint Louis Art Museum, the Peabody Essex Museum and the Iris and B. Gerald Cantor Center for Visual Arts at Stanford University. His writings on art and photography have been published in eleven languages. He received a Ph.D. in history of art from Cambridge University. He also holds a B.A. from Williams College and a Master’s from Stanford University.
Lou Proud is an independent London-based dealer, advisor and consultant specialising in 20th and 21st Century photographs. During her career in photography spanning two decades so far she has worked directly with a long roster of internationally acclaimed artists and galleries, most recently leading the photography auction department at Phillips in London for six years. Lou is also a consultant for Beetles + Huxley Gallery and Patron of the Photographers Gallery. She lectures at Sotheby’s Institute on Photo Markets and collecting.
Marc Prüst is active as photography consultant and curator. In that capacity he edits books, creates exhibitions, teaches and organizes workshops and masterclasses, lectures and writes on photography, and advises photographers on how to develop their work and how to market it. Prüst is currently the Artistic Director of the Photoreporter Festival in Saint Brieuc, France.
Raqs Media Collective, founded in 1992 by Jeebesh Bagchi, Monica Narula and Shuddhabrata Sengupta, enjoys playing a plurality of roles, often appearing as artists, occasionally as a curators, sometimes as philosophical agent provocateurs. They make contemporary art, have made films, curated exhibitions, edited books, staged events, collaborated with architects, computer programmers, writers and theatre directors and have founded processes that have left deep impacts on contemporary culture in India. Raqs follows its self declared imperative of ‘kinetic contemplation’ to produce a trajectory that is restless in terms of the forms and methods that it deploys even as it achieves a consistency of speculative procedures. Raqs remains closely involved with the Sarai program at the Centre for the Study of Developing Societies (www.sarai.net), an initiative they co-founded in 2000. www.raqsmediacollective.net
Marina Ribera Iñigo is currently undertaking the MFA Curating at Goldsmiths College. She studied film and media at Pompeu Fabra University in Barcelona and has worked as a scriptwriter for a national radio programme in Peru. www.subjectiveshot.com
Kelly Richardson is a Canadian artist, living and working in North East England. Her work is currently the subject of a 15 year retrospective at the Towner (Eastbourne, UK) and Albright-Knox Art Gallery (Buffalo, USA). Richardson has been widely acclaimed in North America, Asia and Europe, having been selected for the Beijing, Gwangju and Busan biennales, and major moving image exhibitions including theThe Cinema Effect: Illusion, Reality and the Moving Image at the Hirshhorn Museum and Sculpture Garden (Washington, USA) and Caixaforum (Barcelona, Spain) and Videosphere: A New Generation at the Albright-Knox Art Gallery (Buffalo, USA). Her video installations have been included in the Toronto International Film Festival (2012) and Sundance Film Festival (2011 and 2009) and in 2009, she was honoured as the featured artist at the Americans for the Arts National Arts Awards. Richardson’s work has been acquired by major museums across the USA and Canada, from the Hirshhorn Museum and Sculpture Garden and Albright-Knox Art Gallery to the Musée d’art contemporain de Montréal and Art Gallery of Ontario. www.kellyrichardson.net
Olivier Richon was born in Lausanne in 1956. He studied at the Polytechnic of Central London, where he graduated with a BA (Hons) in Film and Photographic Arts in 1980 and a Masters of Philosophy in 1988. In 1991, he received the Camera Austria Award for Contemporary Photography. His photographs propose a re-interpretation of the still life genre and a reflection on the object as sign. The camera is commonly a metaphor for the eye. Richon proposes that it is also a metaphor for the mouth: a devouring eye that absorbs its subject to turn it into an image. Real Allegories, a monograph of his photographic work, was published by Steidl in 2006. He is represented by Ibid, London. He is currently Professor of Photography at the Royal College of Art.
Sophy Rickett is a visual artist, who lives and works in London. Solo exhibitions include 54th Venice Biennale, De La Warr Pavilion, Bexhill; Ffotogallery Cardiff. Group exhibitions include Centre Rhenan d’Art Contemporain, Alsace; Galleria Civica, Modena, Italy; Centre Pompidou, Paris; Il Museo di Trento, Italy. She is currently a visiting Artist Fellow at the Institute of Astronomy, University of Cambridge, as well as Senior Lecturer on the MA photography course at the London College of Communication (UAL). She is represented by Brancolini Grimaldi, London.
Russell Roberts is Reader in Photography at the European Centre for Photographic Research, University of Wales, Newport. He has curated many exhibitions both nationally and internationally and is currently working with The Photographers’ Gallery, London, on an exhibition for 2013 based on the archive of Mass Observation.
David Robinson is a Northern Irish artist based in London. Over the past decade his photographic work has appeared in The Guardian, The Telegraph, PDN and Creative Review. His work was selected for inclusion in Picturing Eden (Steidl/George Eastman House 2007) and he co-created The Official Extreme Golf Manual (Barrons 2007). Previous bookworks include Wonderland (GenerationYacht 2003) and Lee Valley Leisure (GenerationYacht 2005). He has had solo shows in London and Belfast and has work included in various touring group exhibitions. Robinson is also a chef and co-founder of Sporeboys, a mushroom street-food kitchen touring food markets in London and festivals across the UK. Sporeboys food has been celebrated in The New York Times andThe London Independent – loyal local and international customers flock each week to Broadway Market to savour their mushroom medley sandwich. www.davidswonderworld.com
Nick Rochowski (b.1981 High Wycombe, Bucks) is a London based photographer. He studied at the London College of Printing between 2000 and 2004. His artistic practice involves extensive explorative research and observations of historical changing landscapes, the built environment and staged interior spaces. In 2011 he established Rokov Publishing, an independent creative platform publishing limited edition cross-disciplinary collaborative projects. Along side this he shoots commissions for clients in the creative, cultural and design industries. rochowski.net
Clare Samuel is a Northern Irish and Canadian artist, writer, and lecturer based between Edinburgh and Toronto. She teaches at Ryerson University and writes for the Scottish journal Studies in Photography. Her work has been shown nationally and internationally, most recently at EMK Center in Dhaka and CCA in Mexico.
Michelle Sank was born in South Africa and currently resides in the UK. Her photographs have been exhibited and published extensively in England and internationally, her imagery is held in the permanent collections of Allan Servais, Brussels; Museum of Fine Arts, Houston, Texas; and Open Eye Gallery Archive, Liverpool. Sank has three published books, The Water’s Edge: Women on the Waterfront (Liverpool University Press, 2007) – a study of women who worked and still work on Liverpool’s Docks, Becoming (Belfast Exposed Photography and Ffotogallery, 2006) – a major monograph featuring her portraits taken over five years, and The Submerged (Schilt Publishing, 2011). She has also undertaken numerous commissions for prominent galleries and magazines in Europe and the USA and her work has won awards in many prestigious competitions. Sank’s recent series, In My Skin, comprises sensitive portraits of young people under 25 in the UK who are challenging their body image. An engaging visual discourse with cosmetic surgery, body dysmorphia and transgenderism, Sank’s work has already won several awards from Unicef and Lensculture and will feature in an upcoming publication by Gomma Books. www.michellesank.com
Fiona Saunders lies and work in London. Her exhibitions include group shows University of Westminster Degree Show, London (2006), Fine Arts Work Centre, Provincetown, Massachusetts, USA (2007); London Independent Photography Group Show, London (2012) and her solo shows include Arthouse Gallery, Stradbally, Ireland (2012); London Irish Centre, London (2012-2013). www.connections-photography.com
Julieta Schildknecht is a Photographer and Journalist. She studied Law at the Catholic University in Rio de Janeiro, History of Art and Photography at the University of Zürich (2011), and was awarded Master of Arts with Merit from Oxford Brookes University in UK (2013). In 2007, she took part in the Art Residence in Visual Culture Studies with Katharina Sieverding at the International Summer Academy of Fine Arts in Salzburg. She has had several solo and group exhibitions home and abroad, in Switzerland, Brazil, New York, London, and Brussels. Her work is part of private and institutional collections, including Thomas Koerfer, The Tinguely Museum and The World Meteorological Organization, among others. Julieta Schildknecht is represented by the picture agencies Keystone and Agência O Estado de S. Paulo. www.julietaschildknecht.ch
Rachel Segal Hamilton is a London-based arts writer and editor. Her work has appeared in the British Journal of Photography, Time Out and The Independent, among others, and she is Commissioning Editor at IdeasTap, mainly covering photography, film and art. She holds an MA in Cultural Studies from Goldsmiths, University of London, and a BA in Modern Languages from the University of Cambridge. Follow Rachel on Twitter. https://twitter.com/rachsh
Sunil Shah (b.1969) is an artist and curator based in Oxford, UK. He is interested in the politics of photographic representation and conceptual post-documentary practices with relation to history, memory and identity. He has curated a number of exhibitions including Making Home at the Royal Geographic Society, London for the HLF funded Exiles Project and he acted as co-curator for Brighton Photo Fringe Open ’13. In 2015, his personal work Uganda Stories was exhibited in a solo show at New Art Exchange in Nottingham and he was a winner of the Magnum Photos Photo London Graduate Award 2015.
Nikita Shergill is a photographic artist interested in social spaces and the behavioural patterns they suggest. Nikita graduated in 2014 with a BA(Hons) in Photography from the University for the Creative Arts (Rochester). Her photographic series ‘Educational Procedures’ was exhibited at the Arles Photography Festival, the Folkestone Triennial Fringe Programme and Photokina in 2014. Most recently Nikita’s work has been published in the German photographic magazine HANT Magazine (April 2015). Currently Nikita works in London and the South-East. As well as developing new work, she also writes for the photographic online-publication Introdex. www.nikitashergill.com
Mark Sherratt is a commercial and editorial photographer based in North London. After growing up in the cultural capital that is Stoke on Trent, he moved to London and quickly fell into the glamorous world of photography assisting. Once he had wading though enough muddy ponds holding lighting equipment and really perfected making a coffee for photographers he realised he was ready to branch out into shooting pictures of his own. He now takes pictures for magazines such as Monocle and Esquire and for companies including the Post Office and Buxton Water. Sherratt is the founder of Prints for Refugees www.printsforrefugees.com
Corinne Silva is an artist who lives and works in London. Recent exhibitions and commissions include Imported Landscapes, a site-specific installation for Manifesta 8 Paralelos, (2010) and moving image installation Wandering Abroad, from Leeds Art Gallery, UK (2009). Silva won the Magenta Foundation Flash Forward Awards in 2010 and 2011 and has been nominated for the Foam Paul Huf Award 2012. Forthcoming exhibitions include Flash Forward Festival Boston, Fairmont Battery Wharf, June 7 -10, 2012. www.corinnesilva.com
Hazel Simcox is a practicing photographer exploring the language of landscape. She also works as a lecturer at North Warwickshire and Hinckley College, specialising in photographic theory. Having previously studied an MLitt History of Photography at St Andrews University, her research focuses on the relationship between photography and time.
Iain Sinclair is an acclaimed British author and film-maker who lives between London and Hastings. Recent publications include London Overground and Black Apples of Gower. www.iainsinclair.org.uk
Katrina Sluis is an artist, curator and academic based in London where she teaches at London South Bank University. She was recently appointed the first Curator (Digital Programme) at The Photographers’ Gallery, London. Her writing has been published in journals including Photographies, Philosophy of Photography and ArteEast. She is a contributor to the (forthcoming) second edition of Martin Lister’s The Photographic Image in Digital Culture.
James Smith lives and works in both London and Northampton and studied at the Royal College of Art 2010/12. Recent solo exhibitions include Temporal Dislocation, Photofusion, London 2013; London Overspill, UH Galleries, Hatfield 2012; Luton Overlay, Departure Lounge, Luton 2012/13; and selected group exhibitions Territory, Liverpool Biennial 2012, Guest & Host, NN Gallery, Northampton 2012/13, Alt. 1000+, Photography Festival, Rossiniere, Switzerland 2011 and Construct, Folkestone Biennale, 2011. www.j-smith.co.uk/
Olga Smith is an art historian specializing in photography, with research interests spanning landscape photography, national self-representation and critical approaches to photography. She is a graduate of the University of Cambridge and has held positions at the University of St Andrews and Tate Gallery, London. She is the co-founder of Ph, UK-wide photography research network: http://phphotographyresearch.
Diane Smyth is the deputy editor of the British Journal of Photography, and has also written on photography for Aperture, Creative Review, PDN, The Philosophy of Photography, The Guardian online, The Sunday Times online and The Sunday Herald.
Annalisa Sonzogni is an Italian-born artist who lives and works in London. She received a Masters in Photography from the Royal College of Art in 2008 and is currently a PhD researcher by project on a Faculty Scholarship Award with FADA (Art, Design and Architecture) at Kingston University researching in the field of Architecture with a specific interest in site-specific installation reflecting on Modernist Heritage in Britain within her photographic and film works. Recent exhibitions of Sonzogni’s works include; Stills Scotland’s Centre for Photography, Edinburgh; Careof DOCVA, Milan, Italy; Museum Folkwang, Essen, Germany. She has given talks and conference papers in UK and international institutions, including a recent presentation at the Architecture Department of Cambridge University. Currently Sonzogni is working on a collaborative project with a group of international artists and curators in collaboration with Vision Forum and the David Roberts Art Foundation. www.annalisasonzogni.com
Amelia Stein, RHA, is a photographer living and working in Dublin. Over the past 30 years Amelia Stein has established herself as a singularly exacting photographer whose work is characterized by meticulous attention to detail in tandem with the attributes of fine black and white photographic printing. Absence and the passage of time are recurring themes in Stein’s work. Stein became a full member of the Royal Hibernian Academy in 2004 – the first photographer ever to be elected to that body – and in 2006, she was elected a member of Aosdána. www.ameliastein.com
Lisa Stein is a London-based writer and researcher specialising in photography. A graduate from Goldsmiths, University of London, Lisa currently works as the editorial assistant at The Burlington Magazine, a monthly academic journal devoted to the fine and decorative arts, and is the managing editor of the photo-literary platform Photocaptionist.
Eva Stenram is a Swedish-born artist who studied at the Slade School of Fine Art and Royal College of Art in London. She uses image manipulation to explore photography as a medium of flux, inconstancy and transformation. In addition to creating her own photographs, Stenram often utilises found imagery in order to unsettle the original functions of familiar photographic genres. In 2012 she was nominated for the Rencontres d’Arles Discovery Award. www.evastenram.co.uk
Jim Stephenson is the Founder of the Miniclick Photography Talks. For the last three and a half years Jim and his team have been curating photographic events and exhibitions, publishing new and old work and experimenting with ways to communicate stories and ideas. Jim is also an architectural photographer and co-producer of the Lightbulb Film Series. www.miniclick.co.uk
Brian David Stevens is a photographer living in London, his work has been published and shown worldwide. He is a member of the US based Hamburger Eyes collective and is currently not writing a book. www.briandavidstevens.com
Sue Steward is a writer, radio broadcaster, and independent curator of photography. She is the Photography Critic for The Evening Standard and for BBC Radio2’s Arts Magazine with Claudia Winkleman. She writes for the BJP, 1000 Words, Eye magazine and Photomonitor, and essays for catalogues including the forthcoming “Unseen” festival in Amsterdam in September, 2012. Sue is a Trustee for PhotoVoice and on the Steering committee for Format, Derby’s international photography biennial.
Melanie Stidolph lives and work in London. She studied at University of Leeds and University of British Columbia, under the tutelage of Jeff Wall. Her large scale photographic works have been exhibited internationally including solo exhibitions with Northern Gallery of Contemporary Art Sunderland, Kamloops Art Gallery, Canada and Campbell Works, London, as well as numerous group exhibitions throughout Europe, New York and Canada. Stidolph was selected for the first edition of ‘Pilot’, commissions include the Big Chill Arts Trail, ‘The World in London’ for The Photographers’ Gallery and ‘Still Life in Mid Air’ for Tate Learning. www.melaniestidolph.com
Lauren Summersgill is a PhD candidate at Birkbeck College, University of London. Her research into photographic representations of the dead has appeared on Sick City Talks and Thread Radio.
Rebecca Sykes is an arts educator and writer currently studying for a PhD in Arts and Humanities at Birkbeck College, University of London. She won Volume VIII of the BREESE LITTLE Prize for Art Criticism.
Emma Sywyj is an artist, photographer, writer and dj. Having studied at Camberwell College of Arts graduating in 2009, she now writes for a number of publications including Toast music magazine and Mercury Music magazine.
Dafna Talmor is an artist based in London who completed a BA Fine Art (Hons) at Goldsmiths (2001) and MA Fine Art Photography at the Royal College of Art (2004), UK. Her photographs are included in public collections such as Deutsche Bank, Hiscox and in numerous private collections. Talmor’s work has been featured in publications such asCamera Austria, ArtReview, Hotshoe, Elephant, IMA, GUP, UYW, Post-Photography: The Artist with a Camera by Robert Shore (Laurence King Publishing) and will be published in Alternative Photographic Processes: Crafting Handmade Images by Brady Wilks (Focal Press) in July 2015. Talmor is the recipient of the Arts Council England Grants for the Arts Award (2013 & 2014), Photofusion Select Bursary Award (2013), selected as a series finalist for the Renaissance Photography Prize in 2013, IV Daniela Chappard Biennale Photography Award (2007) and was nominated for the Paul Hamlyn Artist Award (2005). Talmor is an Associate Lecturer on the BA Fine Art at Southampton Solent University and the Fine Art Extension course at Goldsmiths, University of London. www.dafnatalmor.co.uk
Paul Tebbs is Senior Lecturer in Photographic Theory at the University of Arts, London.
Gaia Tedone is a London-based curator and researcher with an interest in photography and the moving image. She graduated with an MFA in Curating from Goldsmiths College, London (2008) and was a Curatorial Fellow of the Whitney Independent Study Program, New York (2010). She worked within Tate Modern’s curatorial department, assisting on acquisitions and displays for the Collection of Photography and International Art, as well as at Fondazione Sandretto Re Rebaudengo, Turin and The David Roberts Arts Foundation, London. Her recent exhibitions include Twixt Two Worlds, Whitechapel Gallery, London & Towner, Eastbourne (2014-15); Rotta di Collisione, Artopia, Milan (2013); Shifting Gazes, Guest Projects, London (2013). Gaia was recently nominated for the ICI Gerrit Lansing Independent Vision Award and is a jury member for the 2015 edition of the Celeste Prize.
Emilia Terracciano (PhD Courtauld Institute of Art) is a writer and scholar based in London. She is Consultant Lecturer at The Sotheby’s Institute of Art and Teaching Fellow at University College London. Under contract with IB Tauris Emilia is writing her first book India, Art, Emergency. She writes regularly on photography and contemporary art for Modern Painters, The Caravan and Art India.
Rebecca Travis graduated with a BA Fine Art from Newcastle University in 2011 and is currently based in Toronto, Canada. She is Editorial Manager at contemporary art website www.thisistomorrow.info and has been published both within the UK and internationally. As a freelance writer she has produced several commissioned texts for contemporary artists, organisations and galleries including photographer Dan Holdsworth, Vane Gallery and Nick Kennedy. Her own art practice and full writing portfolio can be seen at www.rebeccatravis.co.uk
Helen Trompeteler has contributed research to major exhibitions including Man Ray Portraits (NPG, 2013) and curated a diverse range of displays, both historical and contemporary, including Fred Daniels: Cinema Portraits (NPG, 2013), Spotlight on Peter Rand (NPG, 2012), Mick Jagger: Young in the 60s (NPG, 2011), From Where I Stand: Photographs by Mary McCartney (NPG, 2010) and Jane Bown: Exposures (NPG, 2009). She has previously been a judge on exhibitions with the Horniman Museum and London Independent Photography. www.trompeteler.com
Matthew Turner is a writer living in London. He studied at University College London and is now working as writer and assistant editor for LOBBY magazine. Recently, he has written for The London Magazine, arq, this is tomorrow, DrawingOn and The Pluralist. Matthew also teaches at Chelsea College of Art and has lectured at various institutions in and around London. In 2017 he gave a lecture at The University of Puerto Rico entitled ‘Delineated Deliriums’. He is currently working on a series of short stories which explore the friction of making immaterial information networks and apps physical spatial and narrative constructions.
Iris Veysey is a writer based in London. She spent two years as Listings Editor at Vignette photography magazine and was a judge for the RGB Photographic Awards during Bristol Festival of Photography 2012. Iris holds an MA in History of Art from the Courtauld Institute, where she specialised in twentieth century art and completed a thesis on the photography of Francesca Woodman. www.irisveysey.com
Max Vickers is a writer based in London. He is currently working on Christian Marclay at White Cube, Bermondsey.
Emma Wieslander, born in Lund, Sweden, lives and works in the UK. In 2007 she received a Master in Photography from the Royal College of Art. Recent shows and screening include; GSK Contemporary; Art of a Changing World at the Royal Academy of Art, London, Internationale Fotografie II: into LANDSCAPE at Galerie Helmut Hartman, Vienna, Women in Art Photography, humble arts foundation, Nowhere in Peculiar, Five Hundred Dollars, London, transmediale 09 – deep north, Berlin, International Film Festival Rotterdam, The Netherlands, and Anticipation at Ultralounge Gallery, London. www.emmawieslander.com
Jason Wilde is a photographer born and based in London. His work has been exhibited in the Tate Modern, the National Portrait Gallery and in the Museum of London. Growing up in central London has been an important impetus for his interest in the small dramas of city life and as a photographer, Jason’s primary topic is England’s rapidly shifting social landscape reflected in the people that inhabit its diverse communities. Working from within the documentary tradition, he uses a mixed genre approach to produce projects that reflect the social flux and cultural (dis)integration that characterises English communities in the 21st century. www.jasonwilde.com
Val Williams is a writer and curator. She is Professor of the History and Culture of Photography at the University of the Arts and Director of the UAL Photography and the Archive Research Centre at the London College of Communication, and her recent publications include Martin Parr (Phaidon, 2014) and Sune Jonsson: Life and Work (MaxStrom, 2014).
Marc Wilson has exhibited in numerous solo and group exhibitions, both in the UK and internationally in Milan, Grenoble and New York. Exhibitions include the inaugural shows at the Back Hill and Now Showing galleries (London); Art 2001, Photo2005, The Photographers’ Gallery, The Association of Photographers gallery and at the Focal Point Gallery, Southend. marcwilsonthelaststand.com
Fionnagh Winston is a practising artist and freelance writer, living in London and working from her studio in Streatham. London. She completed her BA in Fine Art at Chelsea in 2007. She is currently working on a series of paintings abstracted from photographs of the South Coast of Santorini and has just finished a novel formed around the ancient rites of Dionysos.
Jooney Woodward is a British photographer currently based in London. In 2011 she was awarded First Prize in the Taylor Wessing Photographic Portrait Prize at The National Portrait Gallery for her portrait of ‘Harriet and Gentleman Jack’. Exhibitions and awards include:The Photographers’ Gallery, Magenta Flash Forward – Emerging Photographers, The Museum of Modern Art Wales, Foto8 Summershow, AOP Open Awards, The Art of Photography Show and The Observer Hodge Photographic Award. http://www.jooneywoodward.co.uk/
Naj Zimele-Keita is a recent graduate of the Sotheby’s Institute of Art, M.A. in Photography programme. A native Philadelphian currently residing in south London, Naj is equally influenced by the post-industrial, working class landscape of his hometown and the lettered academic world, in a cloud of seemingly disparate interests from Romantic painting to gangster rap. Through his writing Naj endeavours to engage with notions of racial and sexual difference, subjectivity, representation and identity, which he is most passionate about.
Jessica Ziskind is a London-based, Los Angeles born curator. She recently received her MFA Curating from Goldsmiths, University of London and BA Art History from UCLA. Ziskind has served as gallery assistant at Coagula Curatorial, curatorial assistant at The Mistake Room and most recently exhibition intern at Tate Modern and Camden Arts Centre.
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